All Clara wants is a key - a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer's annual holiday party, leads her to the coveted key-which promptly disappears into a strange and mysterious parallel world. It's there that Clara encounters a soldier named Phillip, a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara's key and hopefully return harmony to the unstable world.
Lasse Hallström completed principal photography, but due to him being unavailable Joe Johnston took charge for 32 days of reshoots. Hallström returned to oversee post-production. See more »
Every decorated conifer has the same silhouette, with an identifiable bare patch on the left side of the trees, suggesting that the image was simply recycled once rendered. Real trees look different from each other. See more »
[from teaser trailer]
It's Christmas Eve. A time of mystery, expectations, who knows what might happen?
See more »
During the credits, Misty Copeland dances a traditional ballet to the "Miniature Overture" from "The Nutcracker". The outlines of male dancers performing a more hip-hop dance to the same music follow. See more »
Disney's 'The Nutcracker and the Four Realms' is as bad as you think it is
Copeland provides a perfect example of why some classics shouldn't be messed with, even when you think you have something fresh to contribute. The film attempts to upend your expectations of the story, but each and every revelation or twist falls completely flat.
"The Nutcracker" simply took tropes, character traits, and plot points from other movies that no one asked to relive, including "The Chronicles of Narnia," "Alice in Wonderland," "Peter Pan" - and, weirdly enough, "The Santa Clause 2."
The film offers two major scenes, ostensibly meant to serve as emotional anchors, as moments of growth or self-realisation. But they're so painfully cliché - don't be surprised if both cause the adults in the audience to laugh out loud.
It seems that Helen Mirren, as pseudo-villain Mother Ginger, and Morgan Freeman, as Clara's mysterious godfather Drosselmeyer, are simply thrown in to make the film more intriguing to older audiences. It doesn't work.
It also complicates the film itself: Was it made for children? Families? Fantasy buffs? Adventure enthusiasts? It's unclear.
I almost feel bad trashing (what I take to essentially be) a kids' movie with perfectly likable 17-year-old lead, but there's just no reason why this adaptation should exist.
It feels like even children - especially in this era of on-demand entertainment and content saturation - will find the film annoying and predictable. Its recycled plot, garish costume design, and half-hearted callbacks to the original add nothing to the beloved story of "The Nutcracker." You'd be far better off watching the ballet again.
24 of 35 people found this review helpful.
Was this review helpful to you?
| Report this