Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Outside a movie premiere, enthusiastic fan Peppy Miller literally bumps into the swashbuckling hero of the silent film, George Valentin. The star reacts graciously and Peppy plants a kiss on his cheek as they are surrounded by photographers. The headlines demand: "Who's That Girl?" and Peppy is inspired to audition for a dancing bit-part at the studio. However as Peppy slowly rises through the industry, the introduction of talking-pictures turns Valentin's world upside-down.Written by
James Cromwell remarked that his performance in the film wasn't really a silent one, as all of his scenes involve dialogue rather than pantomime. He claimed that he played the role like he would any other, speaking his lines out loud. See more »
While autographing photos for George, Clifton uses what appears to be a Parker Streamlined Vacumatic fountain pen which did not exist until 1937. Other pens used in the movie appear to be European pens from the 1940s. See more »
[trying to pressure the studio into letting her do a film with George]
I won't work anymore. It's either him or me.
[Zimmer appears bemused]
What I mean is, it's him AND me! Or it's neither of us!
[everybody is still looking at her blankly]
Hey, I'm blackmailing you! Get it?
See more »
The opening credits are styled after the style of opening used in the 1920s and 1930s, complete with technical credits shown the way they would have been then. See more »
I managed to catch a screening of this at Cannes, and if you're thinking about skipping this film because it's silent and black and white, you're going to be missing out on a very special experience.
Everything about this film is exceptional. The acting is top-notch, the story is intriguing, and despite being black and white, the film is visually appealing. The filmmakers really make great use of the medium, and even though there are no voices or color, my interest was never lost.
Jean Dujardin gives a great performance. You like him instantly and, without giving too much away, you want him to succeed. This movie is really chock full of great actors and actresses. You'll see some familiar faces, but they all blend in well with the world of the film.
I really don't know a whole lot about the director Michel Hazanavicius, but after seeing this film I'm definitely interested in seeing what he does next.
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