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Inception (2010)

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2:03 | Trailer
A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.

Director:

Christopher Nolan
Popularity
151 ( 2)
Top Rated Movies #14 | Won 4 Oscars. Another 152 wins & 205 nominations. See more awards »

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Cast

Cast overview, first billed only:
Leonardo DiCaprio ... Cobb
Joseph Gordon-Levitt ... Arthur
Ellen Page ... Ariadne
Tom Hardy ... Eames
Ken Watanabe ... Saito
Dileep Rao ... Yusuf
Cillian Murphy ... Robert Fischer
Tom Berenger ... Browning
Marion Cotillard ... Mal
Pete Postlethwaite ... Maurice Fischer
Michael Caine ... Miles
Lukas Haas ... Nash
Tai-Li Lee Tai-Li Lee ... Tadashi
Claire Geare Claire Geare ... Phillipa (3 years)
Magnus Nolan Magnus Nolan ... James (20 months)
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Storyline

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible - inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis

Taglines:

Your mind is the scene of the crime See more »


Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English | Japanese | French

Release Date:

16 July 2010 (Netherlands) See more »

Also Known As:

El origen See more »

Filming Locations:

Bedfordshire, England, UK See more »

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Box Office

Budget:

$160,000,000 (estimated)

Opening Weekend USA:

$62,785,337, 18 July 2010, Wide Release

Gross USA:

$292,576,195, 6 January 2011

Cumulative Worldwide Gross:

$825,532,764, 6 January 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Christopher Nolan: [Murphy's bag] The third Nolan movie in five years in which Cillian Murphy's character spends a significant portion of his on-screen time with a cloth bag over his head. See more »

Goofs

In most of the shots of the hotel elevator opening its doors and letting people off, a mechanical bell is heard. However, in the second to last of these shots, an electronic bell is heard. See more »

Quotes

[first lines]
Saito's Attendant: He was delirious but asked for you by name. Show him...
Japanese Security Guard: He was carrying nothing but this...
[gun]
Japanese Security Guard: And this...
[spinning top]
Saito: Are you here to kill me?
See more »

Crazy Credits

The movie title never appears in the beginning of the movie, but appears three times during the end credits. Once at the beginning, again after the main actors and developers, and once more at the very end. See more »

Connections

Referenced in Richard Roeper & the Movies: Inception - Discussion (2010) See more »

Soundtracks

Radical Notion
Written by Hans Zimmer
See more »

Frequently Asked Questions

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User Reviews

Not all the hype suggests but still an enjoyable action thriller built on a good concept and encourages thought afterwards
2 August 2010 | by bob the mooSee all my reviews

The important thing to start out with is to distance yourself from the hype about this film because it will not help you when watching it, nor is any of it totally justified. It seems that any mainstream film (especially at summertime) that manages to at least do something different or clever will be hailed as a masterpiece simply because it is not Transformers 2. So watching it expecting to be amazed is probably the wrong state of mind to be in. Likewise it is probably not great to be expecting something impossible to follow, because again the film is very clearly constructed and even when action is occurring across several "levels" at once, I still found it easy to follow.

The film is a thriller and, like many great thrillers it is one that is built on an imaginative and clever concept. The world of dream infiltration is well constructed and is also well delivered to the audience; some people near me were muttering and asking confused questions throughout, but personally I found it easy to follow for the most part – and not because I'm smart but because the film does a good job of bringing the viewer into the ideas and concept. In terms of being an action movie, the second half of the film does pick this up well and the race against time across all of the dream levels, with the editing bringing it all together well so that you don't lose what is happening and indeed the movement of time and the importance of the relative events are clearly understood to produce tension. Although the dream worlds are a bit too "ordinary" at times (most of our dreams are filled with things that don't make any sense or have echoes of things, rather than detailed cityscapes and gun battles) there is creativity in the visual design and in particular a Matrix-esquire battle in a spinning corridor is thrilling to watch.

To its credit the stepping up of the action aspect does not mean that the ideas that got us here are abandoned because they are not. The importance of Cobb's subconscious and in particular his own gnawing guilt over the death of his wife initially appears to be just a way of having a repeatable "baddie" turning up in various places throughout the film, but actually she is well used to introduce doubt and alternative interpretations to the film. As everywhere else, the ending of the film was met with groans that there would not a confirmation of the ending. Personally I think that "was the real level actually a dream" is just an idea planted by the director to keep the audience from simply finishing the film and walking away from it and that the presented reality was actual reality. I can understand why some have disliked this because it could appear like Nolan is going "or was it?" without providing much more than the question, but I choose to see this as just another tease, which he is perfectly allowed to do since the whole film is about trying to get others to doubt their reality and change their own minds by themselves (although not really).

The cast deliver well. DiCaprio manages to produce an engaging character who emotionally makes sense and it is his performance that helps the deeper material in his subconscious work well and be more accessible to the viewer. Gordon-Levitt is memorable for his action scenes but he is also a good presence generally even if he has a lot less to do. Page provides the viewer with someone to "come in" with and she works that angle well. Hardy, Watanabe and Rao round out the team well. Some of the bigger names had the potential to be distractions by virtue of "oh look its x" but Caine, Berenger, Haas and Postlethwaite didn't really do that even if their actual screen times were minimal compared to the recognisability of their faces. Cotillard works very well to have her character vary across levels and contexts and I liked her better than I thought I would.

I'm not in agreement that Inception is a classic perfect film but it is a very good one. If anything the elevation of this film is more to do with how average and uninspiring the vast majority of films released are, but I suppose that the success of this one is a good thing in some ways to maybe counter that. The concept and ideas are well constructed and presented to the audience and the film itself is not hard to follow but does challenge the viewer to do the one thing that a blockbuster normally doesn't – pay attention. Doesn't quite live up to the hype but it is still a very good and engaging film.


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