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Eternal Sunshine of the Spotless Mind (2004)

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0:30 | Trailer
When their relationship turns sour, a couple undergoes a medical procedure to have each other erased from their memories.

Director:

Michel Gondry

Writers:

Charlie Kaufman (story), Michel Gondry (story) | 2 more credits »
Popularity
458 ( 4)
Top Rated Movies #85 | Won 1 Oscar. Another 71 wins & 109 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jim Carrey ... Joel Barish
Kate Winslet ... Clementine Kruczynski
Gerry Robert Byrne ... Train Conductor
Elijah Wood ... Patrick
Thomas Jay Ryan ... Frank
Mark Ruffalo ... Stan
Jane Adams ... Carrie
David Cross ... Rob
Kirsten Dunst ... Mary
Tom Wilkinson ... Dr. Mierzwiak
Ryan Whitney Ryan Whitney ... Young Joel
Debbon Ayer ... Joel's Mother
Amir Ali Said ... Young Bully
Brian Price Brian Price ... Young Bully
Paulie Litt ... Young Bully (as Paul Litowski)
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Storyline

A man, Joel Barish, heartbroken that his girlfriend Clementine underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realizes that he still loves her, and may be too late to correct his mistake. Written by anonymous

Plot Summary | Plot Synopsis

Taglines:

Our memories makes us who we are. You can't change the past. See more »

Genres:

Drama | Romance | Sci-Fi

Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Universal

Country:

USA

Language:

English

Release Date:

16 September 2004 (Netherlands) See more »

Also Known As:

Eterno resplandor de una mente sin recuerdos See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$8,175,198, 21 March 2004, Wide Release

Gross USA:

$34,400,301

Cumulative Worldwide Gross:

$73,169,222
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS (as dts)| Dolby | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Virtually all of the most bizarre and fascinating scenes in this movie were created with old fashioned camera, editing, lighting, and prop and set tricks. The use of digital effects was very limited. The striking kitchen scene with Joel as a child, was created with an elaborate forced perspective set-up similar to some used by Peter Jackson in The Lord of the Rings trilogy. See more »

Goofs

When Clementine and Patrick are driving back from Boston and Clementine is clearly upset, Patrick tries to comfort her by praising her with compliments. Once he calls her 'nice', she gets even more upset, which seems to call back to her "memory" of her and Joel discussing 'nice' on the train. However, that happens the next day, after the erasing happens, when Joel and Clementine both go to Montauk. Unless the word 'nice' had had a similar meaning in their previous relationship, as they are potentially meant to be repeating the same relationship over and over. See more »

Quotes

[first lines]
Joel: [voice over] random thoughts for Valentine's day, 2004. Today is a holiday invented by greeting card companies to make people feel like crap.
See more »

Crazy Credits

The text in the opening credits appears quickly and then slowly withers away, like a memory. See more »

Connections

Featured in Side by Side (2012) See more »

Soundtracks

Oh My Darling, Clementine
(uncredited)
Usually attributed to Percy Montrose
Sung by Jim Carrey
See more »

Frequently Asked Questions

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User Reviews

 
Best Film of 2004
13 February 2005 | by Matt_LaydenSee all my reviews

Joel (Jim Carrey) is a rather milquetoast man who meets up with free spirit Clementine (Kate Winslet), and they become romantically involved. However, they endure a messy breakup and Clementine goes to a business called Lacuna, Inc., where she has all of her memories of Joel erased. Not wanting to be left out, Joel also goes to have his memory erased. However, soon after it begins, Joel realizes that he wants to keep the memory of Clementine, so he tries to reverse the process.

Well, if you're familiar with Kaufman's work, then you know what your getting yourself into. This is just as weird if not weirder than his previous work, Being John Malkovich. I knew what I was getting myself into, but 90% of the movie I was saying to myself "What the hell is going on?", but in a good way. It opens with Joel calling in sick for work and going on a different train, heading for Montauk. He meets Clementine and they hit it off. Now this is about 15 minutes into the movie, then out of nowhere come the opening credit sequence. I will admit, I thought it would be different, but I'm glad that it is the way it is, the movie is 80% of the time in Joel's head.

If you think you know Carrey, think again. This movie is his best performance, better than Majestic, Truman show and all of his comedic roles (which is what I love him for). Just looking at his face from the second we see him, we feel his pain, then like that, we feel his joy, embarrassment and hate. Just awesome acting on his part, and Winslet was great as the free spirit who never seems satisfied. The supporting cast all work well in their small, yet important roles. Oscar nominations for Winslet and (crosses fingers) Carrey.

But if I were to bet any money on any Oscar nominations it would obviously be the writing, what a mess, but beautifully constructed. You think to yourself, is that scene really necessary? Then ten minutes later you think to yourself how brilliant it was, that's beautiful, crazy, give me whatever he's smoking kind of writing. Charlie Kaufman's writing is always clever, but this time he's one-upped himself by making something simultaneously bizarre and emotionally engaging. It seemed like his earlier movies were clever for the sake of cleverness, but 'Eternal Sunshine' manages to dazzle you with it's originality and it's poignancy. The fact that this movie was able to wrap such profound loss, emotional tenderness, and hope in such a self-consciously stylized package illustrates the incredible talent of the people behind it.

Michel Gondry's use of vibrant coloring and quick camera movement give the film a very involving first hand feeling. The constant use of the handy cam is very all involving for the viewer, and I suppose that this is exactly what is needed in such a personal movie. His work on the dream sequences is incredible as well. He decides to use more practical effects than what we see today with computers.

Eternal Sunshine is a tragic, yet beautiful film that sits at the top of my list of "Best of 2004".


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