Just as director Frank Darabont was getting started writing the screenplay, he found out that his cat had developed a tumor. With the cat dying but not being in any pain, he decided to not have it put down. Instead he cared for it at home while adapting "The Green Mile", referring to it as his "co-writer" or "co-pilot", as it spent a lot of time keeping him company at his desk. Darabont said, "It's the whole 'Green Mile' death row experience . . . The writing of it was very much that. I had this creature I really cared about walking that mile". The cat passed away two months later, just about the same time the script was finished. See more »
The sex of the mouse changes. When Mr. Jingles first appears, and then scuttles under the door way - the mouse is clearly male (distinguishing between the sexes of mice is easy because of the size of the genitals). However during the scene where John Coffey shares his cornbread Mr. Jingles is clearly a female mouse. See more »
[while strapping the straight jacket]
C'mon Wild Bill, you're gonna walk your walk.
Wild Bill Wharton:
Don't you call me that! Wild Bill Hickok was no range-rider! He was just another bushwackin' John Law! Dumb sonofabitch sat with his back to the door, kilt by a drunk!
Brutus "Brutal" Howell:
Oh my suds and body, a history lesson! Boy, you just never know just what your gonna get when you come to work everyday on the Green Mile.
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There are no opening credits after the title has been shown, followed by the opening scene for place of film. Although it is now commonplace for films to not have opening credits, in 1999 it was somewhat rather unusual and it was considered for a trademark of director Frank Darabont. See more »
The documentary "Walking the Mile" (which is included on the DVD) features the making of a scene, where Edgecomb and his wife are in a church. That scene is not in the final film. The church is probably the one mentioned by Hanks character when he says to Melinda that "we missed you in church". See more »
The length of the movie was perfect. It kept to the story to an amazing degree. The few changes didn't hurt the feeling nor the telling. The story itself is stirring and captivating. The casting of the parts and their portrayal were right on. This is one of the best movie versions of a Steven King novel I've ever seen, and I think I've seen them all. If you're prone to tears at a film, take extra tissues, you'll need them. The theater I was in was a mass of sniffles through the end credits. If you like fantasy/drama the film cannot be missed. There are some graphic scenes that may upset some, but this is Steven King. This is a movie I plan to add to my video collection as soon as the Letter Box version hits the shelves.
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