Enjoy unlimited streaming on Prime Video
Thousands of other titles available to watch instantly.
8.9/10
1,573,599
2,486 user 242 critic

Pulp Fiction (1994)

Trailer
1:21 | Trailer
The lives of two mob hitmen, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Director:

Quentin Tarantino

Writers:

Quentin Tarantino (stories), Roger Avary (stories) | 1 more credit »
Popularity
172 ( 27)
Top Rated Movies #8 | Won 1 Oscar. Another 63 wins & 69 nominations. See more awards »

Videos

Photos

Learn more

More Like This 

Fight Club (1999)
Certificate: 16 Drama
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

An insomniac office worker and a devil-may-care soapmaker form an underground fight club that evolves into something much, much more.

Director: David Fincher
Stars: Brad Pitt, Edward Norton, Meat Loaf
Forrest Gump (1994)
Certificate: 12 Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

The presidencies of Kennedy and Johnson, Vietnam, Watergate, and other history unfold through the perspective of an Alabama man with an IQ of 75.

Director: Robert Zemeckis
Stars: Tom Hanks, Robin Wright, Gary Sinise
Certificate: 16 Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9/10 X  

When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.

Director: Christopher Nolan
Stars: Christian Bale, Heath Ledger, Aaron Eckhart
Certificate: 16 Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

A young FBI cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.

Director: Jonathan Demme
Stars: Jodie Foster, Anthony Hopkins, Lawrence A. Bonney
Se7en (1995)
Certificate: 16 Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  

Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his motives.

Director: David Fincher
Stars: Morgan Freeman, Brad Pitt, Kevin Spacey
The Matrix (1999)
Certificate: 16 Action | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  

A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers.

Directors: Lana Wachowski, Lilly Wachowski
Stars: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss
Inception (2010)
Certificate: 12 Action | Adventure | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

A thief who steals corporate secrets through the use of dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.

Director: Christopher Nolan
Stars: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page
The Godfather (1972)
Certificate: 16 Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9.2/10 X  

The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.

Director: Francis Ford Coppola
Stars: Marlon Brando, Al Pacino, James Caan
Certificate: 12 Drama
    1 2 3 4 5 6 7 8 9 10 9.3/10 X  

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.

Director: Frank Darabont
Stars: Tim Robbins, Morgan Freeman, Bob Gunton
Certificate: 12 Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 8.9/10 X  

Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director: Peter Jackson
Stars: Elijah Wood, Viggo Mortensen, Ian McKellen
Certificate: 12 Adventure | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.

Director: Peter Jackson
Stars: Elijah Wood, Ian McKellen, Orlando Bloom
Certificate: 12 Crime | Drama
    1 2 3 4 5 6 7 8 9 10 9/10 X  

The early life and career of Vito Corleone in 1920s New York City is portrayed, while his son, Michael, expands and tightens his grip on the family crime syndicate.

Director: Francis Ford Coppola
Stars: Al Pacino, Robert De Niro, Robert Duvall
Edit

Cast

Cast overview, first billed only:
Tim Roth ... Pumpkin
Amanda Plummer ... Honey Bunny
Laura Lovelace ... Waitress
John Travolta ... Vincent Vega
Samuel L. Jackson ... Jules Winnfield
Phil LaMarr ... Marvin
Frank Whaley ... Brett
Burr Steers ... Roger
Bruce Willis ... Butch Coolidge
Ving Rhames ... Marsellus Wallace
Paul Calderon ... Paul
Bronagh Gallagher ... Trudi
Rosanna Arquette ... Jody
Eric Stoltz ... Lance
Uma Thurman ... Mia Wallace
Edit

Storyline

Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

Girls like me don't make invitations like this to just anyone! See more »

Genres:

Crime | Drama

Certificate:

16 | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English | Spanish | French

Release Date:

1 December 1994 (Netherlands) See more »

Also Known As:

Tiempos violentos See more »

Edit

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$9,311,882, 14 October 1994

Gross USA:

$107,928,762

Cumulative Worldwide Gross:

$213,928,762
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (original cut)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
Edit

Did You Know?

Trivia

In the beginning of the movie, Honey Bunny shouts, "Any of you fucking pricks move, and I'll execute every motherfucking last one of ya!" In the last scene she switches the words to, "Any of you fucking pricks move, and I'll execute every last one of ya motherfuckers!" See more »

Goofs

(at around 1h 5 mins) Capt. Koons' account of Butch's grandfather, Dane Coolidge, contains historical inaccuracies. Koons says Dane Coolidge was called up to fight the Germans in WWII as a Marine and later says Dane was killed at the Battle of Wake Island. Very few US Marines fought against the Germans in WWII. Marines mostly fought in the Pacific against the Japanese which is where Wake Island is. He also says that Dane gave the watch to a gunner on an Air Force transport. The U.S. Air Force wasn't created until after WWII. At that time it would have been called the U.S. Army Air Corps. Transports were also typically unarmed and would not have gunners. See more »

Quotes

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
See more »

Crazy Credits

Long Haired Yuppie Scum - Lawrence Bender See more »

Alternate Versions

The network television version makes the following alterations:
  • Dubbed dialogue in Pumpkin and Honey Bunny's opening conversation
  • Omission of the entire scene after Vincent and Jules get off the elevator talking about foot massages
  • Omission of a part of the drug transaction scene starting with Vincent's discussion of how his car was keyed
  • Omission of the "shooting-up" sequence
  • The audio of Uma Thurman snorting cocaine as "Son of a Preacher Man" plays is absent
  • Inclusion of the "Mia Wallace" interview scene
  • Omission of the scene where Vincent finds Mia in her overdosed condition
  • Omission of the "oral pleasure" scene
  • When Butch opens the door to reveal the sodomy of Marsellus, an image of Maynard has been superimposed to prevent from seeing Zed's actual thrusting
  • Omission of the entire scene where Jules and Vincent argue after blowing Marvin's head off (both in the car and in Jimmy's bathroom)
  • Omission of the entire scene of Jules and Vincent cleaning up the back of the car
  • Among the list of words cut out: all variations of "fuck", "shit", "God damn", and "nigger". The use of the word "bitch" is permitted in some cases ("Does he look like a bitch?") but not in others ("Tell that bitch ['babe' in the TV version] to be cool!")
See more »

Connections

Featured in American Dad!: Escape from Pearl Bailey (2008) See more »

Soundtracks

Comanche
Written by The Revels
Performed by The Revels
Courtesy of Downey Records
See more »

Frequently Asked Questions

See more »

User Reviews

Awesome!
18 April 2004 | by Gatorman9See all my reviews

I just finished screening this movie for the first time after putting it off for a number of years because of what seemed like equivocating appraisals from some of my friends. In hindsight, however, it seems to me that while the movie must have definitely bowled them over, overall they weren't sure exactly what to make of it or how to articulate what were probably a confused mix of feelings. But I am so impressed that I feel compelled to add a few specific observations to the many fine reviews already on this database.

First, this movie hits you with an impact somewhere in between, say, APOCALYPSE NOW and A CLOCKWORK ORANGE, and for some people may be just as disturbing (however, in this respect I am happy to report I didn't think it rose to the level of NATURAL BORN KILLERS). Full of graphically violent action and language, PULP FICTION is not a picture for everyone - I would definitely not recommend it to my parents, born in the 1930's (even to my one fairly "hip" relative of the same generation who, at age 66, still teaches high school sex education and likes to talk about things like sunbathing nude, among other potentially sensitive issues).

Irrespective of audience sensibilities, however, the film-makers, supported by superb acting in every role, manage to create a world full of the most fascinating sleazy characters possibly ever to appear on screen. From Travolta's pronounced almost-child-like curiosity about the world to Jackson's sincere and thoughtful philosophical ruminating and Willis's deep devotion to the memory of his father, I think such fascination lies not only in the characters' personalities as they are portrayed but in the way they tantalize the viewer into considering the possibility that such people could actually exist. As a lawyer of some years' experience dealing with all sorts of people I was particularly drawn to this aspect of the film.

Thus, and in response to some other reviewers' comments, I think this movie is more character-driven than plot-driven. Instead of a story peopled by basically weakly developed characters employed primarily as a mere device to move the plot along, as is too frequently the case in the movies (especially these days), the undeniably strong, clever, and unpredictable plot lines in PULP FICTION are actually of essentially secondary interest and importance, serving primarily as vehicles to get you worried about the fate of characters you can't help caring about despite the truly low attributes that otherwise form the basis for their respective personas. As at least one other reviewer noted, when the film ends you are actually disappointed, left craving more of these crazy people and their explosive lives.

Finally, and as strange as it may sound, this film reminds me of another Monumentally Great Film which one would never typically associate with it in any way in a million years - CASABLANCA. As in that film made way back in 1942, and as another reviewer has suggested, perhaps its special appeal - its unusually high degree of emotional impact - lies in its distinctly successful simultaneous application of several different genres in a single film - drama, action, dark humor - with the whole thing bound together by essentially flawless execution in every department. And while CASABLANCA is no doubt clearly much more wholesome and high-minded, like the older film PULP FICTION is not without a pronounced theme of redemption, even if it is not as strongly felt, considering all the later film's sleaze and violence.

In sum, when people say that this is probably the best film of the 1990's, it is easy to see why. Fundamentally a truly outstanding movie, it is a must-see for anyone who considers themself a film buff and can handle graphic subject matter.

(Incidentally, if you would like a more toned-down, much more overtly humorous and less serious picture with a not-altogether dissimilar look and feel, don't miss another 1990's Travolta picture, GET SHORTY.)


258 of 473 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 2,486 user reviews »

Contribute to This Page

Stream Popular Action and Adventure Titles With Prime Video

Explore popular action and adventure titles available to stream with Prime Video.

Start your free trial



Recently Viewed