The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
A young lion prince is cast out of his pride by his cruel uncle, who claims he killed his father. While the uncle rules with an iron paw, the prince grows up beyond the Savannah, living by a philosophy: No worries for the rest of your days. But when his past comes to haunt him, the young prince must decide his fate: Will he remain an outcast or face his demons and become what he needs to be?Written by
The team working on the film was supposedly Disney's "team B," who were "kept busy" while "team A" worked on Pocahontas (1995), on which the production had much higher hopes. As it turned out, "The Lion King" became a huge critical and commercial success, whereas "Pocahontas" met with mixed reviews and a much lower box office. See more »
When Simba finds Mufasa's dead body, his tears leave stains running down both cheeks. When Scar appears, Simba's face alternates between having tear stains on both cheeks in medium shots and only on his right cheek in close-ups. Once Scar tells Simba to run away, the stains disappear altogether. See more »
[Scar catches a mouse]
Life's not fair, is it? You see, I... well, I shall never be king. And you... shall never see the light of another day. Hmm-hmm-hmm, adieu.
Didn't your mother ever tell you not to play with your food?
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This film was re-released in IMAX and other large format theaters on December 25, 2002. The following changes were made to the film for this release:
-This movie opens with "The Lion King: Special Edition" title card, following the Walt Disney Pictures logo.
-The pouncing lesson scene was replaced with an all-new song, "Morning Report", originally from the stage show.
-The animation of crocodiles in the "I Just Can't Wait to be King" sequence was completely re-done.
-The animation in some of the scenes went back through the clean-up animation department a second time, to correct problems such as wavering lines and missing details, which, while not very noticeable during a traditional 35mm showing of the film, would have been discomforting on a much large IMAX screen. Small details, such as the characters who had faces that were too small to be seen in the original had faces, were also added.
-The waterfalls in the "Can You Feel The Love Tonight" sequence were enhanced.
-The 2003 Platinum Edition release omits the original end credits sequence and it uses the static end credits from the 2002 IMAX/Special Edition re-release. See more »
Released Christmas Day in 2002 to IMAX and large format screens, The Lion King makes a triumphant return to the screen after eight years. Its every bit as majestic and great as it has been before.
The Lion King Mufasa (James Earl Jones) just had a baby cub named Simba. All of the animals come to the ceremony, except for Mufasa's brother Scar (Jeremy Irons). Scar desperately wants to be King, but can't. As long as Mufasa and Simba are there. Soon Simba is able to walk and talk and is voiced by Jonathon Taylor Thomas. After hearing about an elephant graveyard from Scar, he and his friend Nala (Niketa Calame) visit it. They meet three bumbling hyenas: Banzai (Cheech Marin), Shenzi (Whoopi Goldberg), and Ed (Jim Cummings), but they manage to leave unhurt. Scar is upset that the hyenas didn't do the job, so he orders a stampede to wipe out both of them, but it only takes care of Mufasa. Scar convinces Simba that he killed Mufasa, not Scar. So Simba flees into exile.
The Lion King really benefits from the larger screen. Its lavish landscapes will be able to capture you more, and you can really savor the animation. Disney didn't need any humans, so they could spend all of the time on a great story and lush landscapes. In fact, its camera movement was so majestic that you actually felt like you were part of the pride of lions.
The music boomed and really created the atmosphere. Although I had seen this picture before, I still was tense because of the way the music played out. Most of the time, I would just roll my eyes at the attempt to make me nervous. But Hans Zimmer's music really bowled me over and made my heart do calisthenics. Unlike such new Disney pics like Lilo and Stitch, the songs actually did some good. They took you out of a somewhat dreary mood and put a smile on your face and made your feet want to tap along. There were only a few, but they were very entertaining. And the Circle of Life song at the beginning was beautiful, with its perfect pictures and perfect sound.
I really like James Earl Jones (he's pretty diverse), and this time was no exception. He seemed to act like he didn't want to do this role, but he couldn't contain his excitement for wanting to do voice-overs again (he had done some work in The Simpsons before). Matthew Broderick redeemed himself for me (after the atrocious Ferris Bueller's Day Off) by showing a strong voicing as the adult Simba. Cheech Marin, Whoopi Goldberg, and Jim Cummings really had good chemistry together, even though they didn't have much screen time. Irons was really good and creepy as Scar (one of those who you can't help but hate), and if that is him really singing, brava!
Be warned, The Lion King isn't really for youngsters. It had intense thematic elements that should have warranted a PG, instead of those that don't deserve it (Lilo and Stitch, again). The mood that the music and the script brought out could damper your day, so be warned.
This is one movie where you can feel for the characters. You don't say `haha, he's dead', you say `Gasp! I'm so sad!' If it weren't for the gifted scriptwriters, this movie would be kaput and a nothing, not the best Disney movie ever made.
The Lion King is a majestic movie, not without humor, that is for almost all to see.
My rating: 9/10
Rated G for intense thematic elements.
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