A space-opera spanning the dawn of man to humanity reaching the stars, 2001: A Space Odyssey tells the story of the Black Monolith, humanity's evolution and the rise of A.I.'s ultimate supercomputer HAL 9000.
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr. Strangelove, are discussing measures to stop the attack or mitigate its blow-up into an all ...Written by
The War Room contains a large table of food because Stanley Kubrick intended to end the film with a custard pie fight between the Russians and the Americans. He decided not to use the footage because he found it too farcical to fit with the satirical nature of the rest of the film. The only known public showing of the pie fight scene was at the 1999 screening of the film at London's National Film Theatre, following Kubrick's death. See more »
Several times during the film, when the B52 is shown in flight from the side, even though the camera angle "pans" with the aircraft when banking (turning), there is no change in the angle or geography of the scenery on the background plate footage - it still looks as if the plane were in straight level flight. See more »
For more than a year, ominous rumors had been privately circulating among high-level Western leaders that the Soviet Union had been at work on what was darkly hinted to be the ultimate weapon: a doomsday device. Intelligence sources traced the site of the top secret Russian project to the perpetually fog-shrouded wasteland below the Arctic peaks of the Zhokhov Islands. What they were building or why it should be located in such a remote and desolate place no one could say.
See more »
The screenplay title is incorrectly spelled. It reads: 'Base' on the book "Red Alert" by Peter George. This is pointed out on the DVD supplement about the making of the film. See more »
Three different screen aspect ratios have been used for video releases. The initial video releases up until the last VHS used a pan & scan transfer. Starting with the Criterion Collection laserdisc, as well as the later Columbia laserdisc, the film was presented "open matte" which meant that as much of the frame was captured as possible. Since many scenes were shot with mattes in-camera, the aspect ratio varied between 1.33:1 to roughly 1.66:1. This same version was used for the original and later Special Edition. In 2004, Columbia completed a new restoration of the film using an original fine-grain positive. This was utilized for a high definition transfer used for the 2-disc 40th Anniversary Edition DVD set. For the first time, this edition used 16x9 enhancement and presented the entire film at its theatrical exhibition aspect ratio of 1.66:1. While this obscures image previously seen on the variable ratio transfers, this preserves the intended "matted" wide-screen composition - very important for shots like Major Kong riding the bomb to the ground. In the variable ratio transfers, the rigging and projection screen edges are visible. See more »
"Gentlemen, you can't fight in here! This is the War Room."
DR. STRANGELOVE.... is a satirical black comedy or rather an ironic approach to decisions and information in the Cold War madness. The smart choice is the mother of all wisdom. It is loosely based on Peter George's novel "Red Alert".
A crazy American general has ordered, due a bizarre reason, a nuclear attack on the Soviet Union. A bit absentminded captain has realized that a general has lost his mind. Meanwhile, a President meets with his top Pentagon advisors, including a passionate super-hawk general, who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the Russians have an "automatic" response...
This film loses all touch with the reality on the one side, and yet, it directly affects an image of a disturbed political reality on the other side. The irony stems from human stupidity, irresponsibility, suspicion and arrogance. Mr. Kubrick has created a satirical hopeless situation, through a conflict of mentality and a sense of patriotism, after which, a bizarre - moral winner rises. The highlight of satire is that world diplomacy rejects itself on multiple occasions.
However, there is a lot of questions. Why give so much power in hands of a few people? One of them, I mean all, are mostly crazy. Why use energy resources to build nuclear weapons? Probably because we do not have better things to do. Is it wise to make fun of a defense system of the strongest force in the world? Of course it is, one day, we have to stop being afraid of each other.
That's why this film is a satirical warning in an universal time, because we live in a time of a political satire with very serious consequences.
I am thrilled with a fact that this film does not have a trace of cynicism. Of course, there is plenty of satire, sarcasm, irony, perhaps exaggerated caricature, but there is no cynicism. Mr. Kubrick, you're a genius! The characterization is excellent.
Peter Sellers (Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove, the wheelchair-using nuclear war expert and former Nazi) is simply awesome as a kind of voice of reason, incompetence and insanity at the same time. It is a strange kind of patriot, savior and avenger.
Sterling Hayden (Brigadier General Jack D. Ripper) is a paranoid ultra-nationalist, who shows his madness through a serious facial expression.
George C. Scott (General Buck Turgidson) is the personification of chauvinism. He expresses his anger and paranoia of communism in a very comical way.
7 of 7 people found this review helpful.
Was this review helpful to you?
| Report this