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8.3/10
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284 user 205 critic

The Apartment (1960)

A man tries to rise in his company by letting its executives use his apartment for trysts, but complications and a romance of his own ensue.

Director:

Billy Wilder
Reviews
Popularity
3,006 ( 489)
Top Rated Movies #107 | Won 5 Oscars. Another 19 wins & 8 nominations. See more awards »

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Cast

Complete credited cast:
Jack Lemmon ... C.C. Baxter
Shirley MacLaine ... Fran Kubelik
Fred MacMurray ... Jeff D. Sheldrake
Ray Walston ... Joe Dobisch
Jack Kruschen ... Dr. Dreyfuss
David Lewis ... Al Kirkeby
Hope Holiday ... Mrs. Margie MacDougall
Joan Shawlee ... Sylvia
Naomi Stevens ... Mrs. Mildred Dreyfuss
Johnny Seven ... Karl Matuschka
Joyce Jameson ... The Blonde
Willard Waterman ... Mr. Vanderhoff
David White ... Mr. Eichelberger
Edie Adams ... Miss Olsen
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Storyline

As of November 1, 1959, mild mannered C.C. Baxter has been working at Consolidated Life, an insurance company, for close to four years, and is one of close to thirty-two thousand employees located in their Manhattan head office. To distinguish himself from all the other lowly cogs in the company in the hopes of moving up the corporate ladder, he often works late, but only because he can't get into his apartment, located off of Central Park West, since he has provided it to a handful of company executives - Mssrs. Dobisch, Kirkeby, Vanderhoff and Eichelberger - on a rotating basis for their extramarital liaisons in return for a good word to the personnel director, Jeff D. Sheldrake. When Baxter is called into Sheldrake's office for the first time, he learns that it isn't just to be promoted as he expects, but also to add married Sheldrake to the list to who he will lend his apartment. What Baxter is unaware of is that Sheldrake's mistress is Fran Kubelik, an elevator girl in the ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Movie-wise, there has never been anything like "The Apartment" - laugh-wise, love-wise, or otherwise-wise! See more »

Genres:

Comedy | Drama | Romance

Certificate:

18 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

16 September 1960 (France) See more »

Also Known As:

Het apartement See more »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$18,600,000

Cumulative Worldwide Gross:

$25,000,000, 31 January 1970
See more on IMDbPro »

Company Credits

Production Co:

The Mirisch Corporation See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In 2007, the American Film Institute ranked this as the #80 Greatest Movie of All Time. See more »

Goofs

When Sheldrake is on the phone requesting Baxter's home phone number, he tells the person he's talking to that Baxter is in ordinary premium accounting, which is not true, as baxter was promoted to an executive by Sheldrake weeks earlier. See more »

Quotes

[first lines]
C.C. Baxter: [narrating] On November 1st, 1959, the population of New York City was 8,042,783. If you laid all these people end to end, figuring an average height of five feet six and a half inches, they would reach from Times Square to the outskirts of Karachi, Pakistan. I know facts like this because I work for an insurance company - Consolidated Life of New York. We're one of the top five companies in the country. Our home office has 31,259 employees, which is more than the entire population ...
See more »

Connections

Referenced in Mystery Science Theater 3000: The Hellcats (1990) See more »

Soundtracks

Little Brown Jug
(1869) (uncredited)
Music by Joseph Winner
Played at the Christmas Eve party
See more »

Frequently Asked Questions

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User Reviews

 
WILDER'S GREATEST ACCOMPLISHMENT
24 May 2001 | by KatmissSee all my reviews

Billy Wilder's "The Apartment is his greatest accomplishment. It is his most successful melding of comedy and drama that he never quite pulled off again. I'm glad the Academy had enough good taste to award Wilder The Triple Crown: Best Picture/Director/Screenplay. But they still had enough bad taste to deny Jack Lemmon a Best Actor award, Shirley MacLaine a Best Actress award and Fred MacMurray a nomination and award.

The plot this time: C.C. Baxter (Lemmon; in case you're wondering: "C for Calvin C for Clifford, but most people call me "Bud")lends out his apartment to executives for their extramarital trysts in the faint hope of a promotion. Eventually, his boss, Sheldrake (MacMurray, excellent in a rare straight role) finds out and wants the key for his own affairs. Meanwhile, Baxter has a crush on Miss Kubelik (MacLaine, in a strong performance)the elevator operator.

For those who accuse me of spoiling the whole movie: rest assured. This only covers the first 20 minutes or so of the 126 minute feature. Wilder has many twists and tricks up his sleeve and I'll leave you to discover what happens. What amazes me about "The Apartment" is that unlike most films, this isn't about the plot. It's a study in human nature and the mistakes they make. That is a strong trait of most Wilder films (including "Kiss Me, Stupid" and "The Fortune Cookie", both hilarious comedies with a hidden meaning)

Also the dialogue by Wilder and I.A.L. Diamond isn't just one-liners (although they are funny; especially when spoken by Lemmon and Ray Walston)There is real heartfelt sentiment here and it isn't the syrupy kind that makes my stomach churn (as in films like "Patch Adams") Wilder allows enough to make his points and then gets back to comedy.

The cinematography is fabulous too. Wilder's film (as most of his 60s films) is in widescreen Black and White (shot by Joseph LaShelle, in Panavision; one of the most unsung and unrecognized cinematographers in history, he was nominated but lost) It has a crisp,clean look and is one of the few widescreen films that actually make the viewer feel confined in a tight space.

"The Apartment" is a superior example of the "serious comedy", films that work as both comedy and drama. Sadly, many of today's filmmakers have lost touch with this genre. I can't help but feel that the freedoms granted today that weren't in the 1950s and 60s haven't been an advance. They've been holding us back. Smart characters have lost way to stupid and oversexed ones. That's a real shame and it's high time we go back to our roots.

**** out of 4 stars


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