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Paths of Glory (1957)

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3:04 | Trailer
After refusing to attack an enemy position, a general accuses the soldiers of cowardice and their commanding officer must defend them.

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay), Calder Willingham (screenplay) | 2 more credits »
Reviews
Popularity
2,305 ( 849)
Top Rated Movies #59 | Nominated for 1 BAFTA Film Award. Another 4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kirk Douglas ... Col. Dax
Ralph Meeker ... Cpl. Philippe Paris
Adolphe Menjou ... Gen. George Broulard
George Macready ... Gen. Paul Mireau
Wayne Morris ... Lt. Roget
Richard Anderson ... Maj. Saint-Auban
Joe Turkel ... Pvt. Pierre Arnaud (as Joseph Turkel)
Christiane Kubrick ... German Singer (as Susanne Christian)
Jerry Hausner ... Proprietor of Cafe
Peter Capell ... Narrator of Opening Sequence / Chief Judge of Court-Martial
Emile Meyer ... Father Dupree
Bert Freed ... Sgt. Boulanger
Kem Dibbs Kem Dibbs ... Pvt. Lejeune
Timothy Carey ... Pvt. Maurice Ferol
Fred Bell Fred Bell ... Shell-Shocked Soldier
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Storyline

The futility and irony of the war in the trenches in WWI is shown as a unit commander in the French army must deal with the mutiny of his men and a glory-seeking general after part of his force falls back under fire in an impossible attack. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

Never has the screen thrust so deeply into the guts of war! See more »

Genres:

Drama | War

Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German | Latin

Release Date:

November 1957 (West Germany) See more »

Also Known As:

La patrulla infernal See more »

Filming Locations:

Munich, Bavaria, Germany See more »

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Box Office

Budget:

$935,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Bryna Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The epic battle sequence was filmed in a 5,000-sq.-yd. pasture rented from a German farmer. After paying for the crops that would have been raised that season, the production team moved in with eight cranes and as many as 60 crew members working around the clock for three weeks to create trenches, shell holes and the rough, muddy terrain of a World War I battleground. See more »

Goofs

The French soldiers are shown using a British Vickers machine gun in one of the trench scenes. They should have been using a Hotchkiss weapon, or some other firearm of French design. See more »

Quotes

[first lines]
Narrator of opening sequence: War began between Germany and France on August 3rd 1914. Five weeks later the German army had smashed its way to within eighteen miles of Paris. There the battered French miraculously rallied their forces at the Marne River and in a series of unexpected counterattacks drove the Germans back. The front was stabilized then shortly afterwards developed into a continuous line of heavily fortified trenches zigzagging their way five hundred miles from the English Channel to the Swiss ...
See more »

Connections

Referenced in Tatort: Tote Taube in der Beethovenstraße (1973) See more »

Soundtracks

Künstlerleben (Artist's Life), Op.316
(1867) (uncredited)
Composed by Johann Strauss
Played as dance music at the party
See more »

Frequently Asked Questions

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User Reviews

KUBRICK'S GENUINE CLASSIC MASTERPIECE
26 February 2003 | by danm99See all my reviews

What to say that hasn't already been said. This astonishing cinematic work of art (no kidding) unquestionably is the GREATEST FILM EVER - bar none. I deeply and passionately LOVE this brilliant early Kubrick production. Congratulations to expert screenwriters (and unique pulp writers of the 5O's) Calder Willingham (who also penned his own excellent adaptation of "The Strange One"; highly recommended) and Jim Thompson ("The Grifters" "The Killer Inside Me"; which strongly influenced Tarantino), who both present a superbly incisive script with powerfully effective dialogue that really rings more than true. If only we had more real writers and scripts like this remarkable achievement, we'd be writing far more favorable reviews. "Paths of Glory", alone, would serve as anyone's lifetime achievement award.

I don't care how much you HATE B&W films - put this one on your MUST-SEE. Compelling cinema-verite photography creates astounding visuals from a varity of incisive angles; like the famous mobile wide-angle tracking shot of Dax (probably Kirk Douglas's most stirring and important performance) moving through the squalid and horrifying trenches as the battle begins with explosions breaking out all over. The suspense and tension is frightening, but almost beautifully eerie in the most compelling ways as Kubrick takes us through the deadly limbo of no-man's land - the 'paths of glory' which finally leads to the grave. The action, skillfully combined with powerful moral and existential themes are amazingly conveyed through the bleak yet articulately stunning visuals. THIS IS A FILMMAKER'S FILM!

The moral outrage of the sadistic injustice of the military courtmartial never fails to make my blood fully boil. The hypocrisy and corruption is degradingly infuriating. If anything will make a cynic out of you, it's this appropriately pessimistic and depressing cinema chronical based on a true stupid incident in WWI. What's even worse is how POG, in many perceptive ways, serves as an allegory for all the B.S. in real life: Pig-headed leadership in the parasitic hands of the superior greed freaks, two-faced deceptive manipulations, double-standards, backstabbings, social bigotry, arm-chair warriors, egotism, corrupt politics, the militaries's abuse of too much power - and it's destructive desire at satisfying it's lust for vainglory (sounds a little like Hollywood) - Did I leave anything out? You name it, POG has it - and I'm not being sarcastic.

The entire ensemble cast is superb with special mention to George Macready as the utterly pompous power-mad glory-seeking "soldier", General Mireuo (who thinks nothing about ordering his troops to open fire on his own men for not charging out of the trenches and dying for his "country"; which smells a bit like ME ME ME). Don't worry, you'll throughly hate his guts. It truly is true method acting. Again, kudos to Macready, a fine actor who was always too good at playing highly unethical villians. (Incidently, this was a favorite film of a young 195O's Marlon Brando and old salty Winston Churchill, who praised Kubrick's incisive authenticity in the exciting battle scene, which does resemble news footage).

Timothy Carey (also ultra-offbeat-cool in Kubrick's other exceptional early flick, "The Killing") is morbidly humorous and gut-wrenching as one of the poor fools coldly picked to be executed; all in the ruthless 'patriotic' name (and amoral game) of 'glory'. ARE ANY OF OUR LEADERS LISTENING? Too bad that Carey's memorable talents were so underused by Hollywood, but that always seems to be the unfortunate norm. A little like what ironically happens to him in this intriguing but downbeat story.

Ralph Meeker (who was also memorable as the brutal and ruthless Mike Hammer in the 5O's cult gem "Kiss Me Deadly" - a complete opposite role that shows a true range of his acting abilities) delivers another wretching performance as the true brave soldier unjustly sentenced for "Cowardice in the Face of the Enemy". (Maybe he should have turned 'about face', but it would have still been 'damned if he did and damned if he didn't' - another grim moral theme here). His breakdown scene right before he is to be taken out and shot is terribly heartbreaking, for I felt so wanting, but helplessly unable, to come to his help.

Take my word for it, everyone else is awesome; a true actor's dramatic show with dark satirical overtones. POG goes beyond the mere preaching anti-war diatribe (though it does convey that almost naturally, like going without having to say). It's a great classic morality play that will really make you stop (many, many times) and truly make you think (many many times). Airheads not allowed. Moreover, this haunting and disturbing masterpiece is top entertainment, something too many art films aren't. >

It will really make you question things about our troubled, convoluted world and how things are to often immorally and inhumanly run all in the sick name of greed and destructive power. Not too lovely, for the director pulls no punches. This film really has grown more profound (and currently pertinent) since its initial release. Also the editing is taut and concise; there isn't a single wasted moment. Count the number of films on one hand that has accomplished that miraculous feat; that most critics and user commentators are always rightfully harking on. I'll shut up now. Go see this one-of-a-kind film, then see it again - and again, etc. >


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