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All About Eve (1950)

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3:04 | Trailer
An ingenue insinuates herself into the company of an established but aging stage actress and her circle of theater friends.

Writer:

Joseph L. Mankiewicz (written for the screen by)
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Popularity
2,921 ( 2,396)
Top Rated Movies #114 | Won 6 Oscars. Another 17 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bette Davis ... Margo Channing
Anne Baxter ... Eve Harrington
George Sanders ... Addison DeWitt
Celeste Holm ... Karen Richards
Gary Merrill ... Bill Simpson
Hugh Marlowe ... Lloyd Richards
Gregory Ratoff ... Max Fabian
Barbara Bates ... Phoebe
Marilyn Monroe ... Miss Casswell
Thelma Ritter ... Birdie Coonan
Walter Hampden ... Aged Actor
Randy Stuart ... Girl
Craig Hill ... Leading Man
Leland Harris Leland Harris ... Doorman
Barbara White Barbara White ... Autograph Seeker
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Storyline

Eve (Anne Baxter) is waiting backstage to meet her idol, aging Broadway star Margo Channing (Bette Davis). It seems innocent enough as Eve explains that she has seen Margo in EVERY performance of her current play. Only playwright/critic DeWitt (George Sanders) sees through Eve's evil plan, which is to take her parts and her fiancé, Bill Simpson (Gary Merrill). When the fiancé shows no interest, she tries for playwright Lloyd Richards (Hugh Marlowe), but DeWitt stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where a young woman named Phoebe has sneaked into her room and fallen asleep. This is where the "Circle of Life" now comes to fruition as Eve will get played like she played Margo.

Plot Summary | Plot Synopsis

Taglines:

It's all about women---and their men!

Genres:

Drama

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

27 October 1950 (USA) See more »

Also Known As:

Alles über Eva See more »

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Box Office

Budget:

$1,400,000 (estimated)

Opening Weekend USA:

$10,177, 8 October 2000, Limited Release

Gross USA:

$10,177, 8 October 2000
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In an introduction to the film on Turner Classic Movies in November 2008, Robert Osborne said that everyone assumed that Bette Davis had based her characterization on Tallulah Bankhead, even Tallulah herself. In fact, Bankhead even considered suing Twentieth-Century Fox, but decided not to, because Bette Davis "did such a good job. I've just been witched out of $1,000,000 by Bette being as good as me." But in 1952, Tallulah Bankhead starred in a radio adaptation of "All About Eve" which featured in the supporting cast Mary Orr, author of the original story "The Wisdom of Eve". According to Robert Osborne, during a rehearsal Tallulah asked Mary Orr: "I was the prototype for Margo Channing, wasn't I?" and Orr set the record straight and said "no". Tallulah reportedly never spoke to Mary Orr again. See more »

Goofs

While Phoebe is looking at herself in the mirror during the final scene, a crew member sitting on a crane is visible for a few seconds at the top of the shot. See more »

Quotes

Lloyd Richards: What makes you think either Miller or Sherwood would stand for the nonsense I take from you? You'd better stick to Beaumont and Fletcher! They've been dead for three hundred years!
Margo: ALL playwrights should be dead for three hundred years!
See more »

Crazy Credits

Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »

Connections

Referenced in Gay Sex in the 70s (2005) See more »

Soundtracks

Linger Awhile
(uncredited)
Music by Vincent Rose
See more »

Frequently Asked Questions

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User Reviews

 
All About Great Writing and Great Acting...
20 March 1999 | by Don-102See all my reviews

In show business, there is probably an Eve Harrington born every day. Someone who butters up to a performer of note, acting innocently, revealing none of the coldhearted ambition they really have. Anne Baxter plays this type of person to a tee. She looks like a baby-faced fan, but little do we know, there is a fame machine at work in her mind. Bette Davis, as Margo Channing, star of the stage, is a veteran who has seen it all. She is quite the egotist. Margo is a brilliant actress and she knows it. Eve discovers her blind spot and moves in on her like a quiet storm. This is the premise of ALL ABOUT EVE, Joseph L. Mankiewicz's masterpiece of sly wit and subtle manipulation. Mankiewicz also wrote the picture (winner of the Best Picture Oscar of 1950) with such skill, the talented cast need only to memorize the lines and deliver them with the proper technique.

The performances are great, regardless, especially by Bette Davis and the always detested George Sanders, one of my favorite actors of the Golden Age of Hollywood. The film is narrated initially by Sanders, who plays a ruthless swine of a theatre critic, then by Celeste Holm, the wife of Eve and Margo's playwrighter, then Bette Davis in the performance of a lifetime. The movie is about 90% dialogue, much like a play. The words are so crisp and sharp, you never sway or lose interest. These characters are just too interesting. Bette Davis has a cavalcade of unforgettable dialogue. "Fasten your seatbelts. Its going to be a bumpy night!" This is the one everyone remembers, but I would be remiss to get into any others.

The picture runs well over 2 hours, but it doesn't seem like enough. Mankiewicz could've held a seminar of screenwriting by showing this. George Sanders is the only actor of the roster to bring home an Academy Award, and rumor has it Davis and Baxter, who was just 27 at the time, were feuding during much of the shoot and lusted the Oscar. Time has been very good to the film as well. 1950 was a wonderful year for movies and ALL ABOUT EVE's artistic equal that year was the equally well-written SUNSET BOULEVARD, which took us behind the scenes of a tainted Hollywood. EVE takes on theatre and treats Hollywood like an afterthought. There are many references to the film industry, usually involving the scenes with Margo Channing's boyfriend, who is attempting to make a career on the silver screen.

The movie is highly unpredictable, especially the last scenes which tie the ideas of the story up. There is an Eve everywhere and each character gets what he or she deserves. Fasten the belts and listen up. This is screenwriting at its finest.


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