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De dictator (1940)

The Great Dictator (original title)
Trailer
1:31 | Trailer
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.

Director:

Charles Chaplin

Writer:

Charles Chaplin
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Popularity
3,540 ( 260)
Top Rated Movies #55 | Nominated for 5 Oscars. Another 6 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Charles Chaplin ... Hynkel - Dictator of Tomania / A Jewish Barber
Jack Oakie ... Napaloni - Dictator of Bacteria
Reginald Gardiner ... Schultz
Henry Daniell ... Garbitsch
Billy Gilbert ... Herring
Grace Hayle ... Madame Napaloni
Carter DeHaven ... Bacterian Ambassador (as Carter De Haven)
Paulette Goddard ... Hannah
Maurice Moscovitch ... Mr. Jaeckel (as Maurice Moscovich)
Emma Dunn ... Mrs. Jaeckel
Bernard Gorcey ... Mr. Mann
Paul Weigel Paul Weigel ... Mr. Agar
Chester Conklin ... Barber's Customer
Esther Michelson Esther Michelson ... Jewish Woman
Hank Mann ... Storm Trooper Stealing Fruit
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Storyline

20 years after the end of WWI, in which the nation of Tomainia was on the losing side, Adenoid Hynkel has risen to power as the ruthless dictator of the country. He believes in a pure Aryan state and the decimation of the Jews. This situation is unknown to a simple Jewish Tomainian barber who has been hospitalized since a WWI battle. Upon his release the barber, who had been suffering from memory loss about the war, is shown the new persecuted life of the Jews by many living in the Jewish ghetto, including a washerwoman named Hannah with whom he begins a relationship. The barber is ultimately spared such persecution by Commander Schultz, whom he saved in that WWI battle. The lives of all Jews in Tomainia are eventually spared with a policy shift by Hynkel himself, who is doing so for ulterior motives. But those motives include a desire for world domination, starting with the invasion of neighboring Osterlich, which may be threatened by Benzino Napaloni, the dictator of neighboring ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The Comedy Masterpiece! See more »

Genres:

Comedy | Drama | War

Certificate:

14 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Esperanto

Release Date:

1 August 1947 (Netherlands) See more »

Also Known As:

De dictator See more »

Filming Locations:

Agoura Hills, California, USA See more »

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Box Office

Budget:

$2,000,000 (estimated)

Gross USA:

$5,000,000, 31 December 1940

Cumulative Worldwide Gross:

$11,000,000, 31 December 1940
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The world premiere of the film was held at two packed theaters (the Astor and Capitol) in New York on 15 October 1940. It was a much anticipated gala affair attended by many luminaries, including Alfred E. Smith, James A. Farley, Franklin D. Roosevelt Jr., Fannie Hurst, Charles Laughton and Elsa Lanchester. Charles Chaplin and his wife and co-star Paulette Goddard made an appearance at both theaters. They watched the movie in a loge at the Capitol with H.G. Wells, Constance Collier and Tim Durant, among others. See more »

Goofs

(at around 17 mins) After Hynkel's "Tighten our belts" remark, Herring tightens his belt, which breaks when he sits down. However whenever we see Herring for the rest of the scene, his belt is intact. See more »

Quotes

[first lines]
Title Cards: Note, any resemblance between Hynkle the Dictator and the Jewish Barber is purely co-incidental.
Title Cards: This is a story of a period between two World Wars - an interim in which Insanity cut loose. Liberty took a nose dive, and Humanity was kicked around somewhat.
See more »

Crazy Credits

The film is obviously a satire on Adolf Hitler, represented by Adenoid Hynkel, and its story is based on Hynkel looking exactly like "a Jewish barber": both are played by Charles Chaplin. But it begins with a notice: "Any resemblance between Hynkel the dictator and the Jewish barber is purely co-incidental". See more »

Alternate Versions

Chaplin altered the credits of this film in order to remove all references to United Artists. The alteration features a new copyright notice that does not match the aspect of the original titles. See more »

Connections

Featured in WatchMojo: Top 10 Movie Monologues (2014) See more »

Soundtracks

String Quintet in E, Op. 13 No. 5: Minuet
(uncredited)
Music by Luigi Boccherini
Played on piano a bit by Charles Chaplin
See more »

Frequently Asked Questions

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User Reviews

 
The Man With Hitler's Face
9 January 2001 | by lugonianSee all my reviews

"The Great Dictator" (United Artists, 1940), became the long awaited talking debut of silent film comedian, Charlie Chaplin (who also wrote and directed), in a political satire on Adolph Hitler, only the way Chaplin dared to do at the time. He plays a Jewish barber and Hynkel, dictator of Tomania. Some of the humor cannot really be absorbed at first glance, but after repeated viewing, it gets better. My personal classic moment occurs with Chaplin in the barber shop working on a bald-headed customer by giving him a shave while listening to a classical composition on the radio, never missing a beat. Co-starring opposite Chaplin for the second and final time is Paulette Goddard as Hannah. Goddard became the only Chaplin leading lady to ever make a success on her own while the others just drifted to "B" movies or faded away. Jack Oakie as Napaloni, the Dictator of Bacteria (a spoof on Mussolini), appears late in the story but shares with Chaplin some of its brilliant comedic moments. Both Chaplin and Oakie earned Academy Award nominations for their performances (Chaplin for Best Actor/Oakie for Best Supporting Actor), but no wins. Henry Daniell as Garbitsch and Reginald Gardiner as Schultz also share the spotlight. Aside from Chaplin's screenplay in poking fun of its then current issues on European invasion by the Nazis, "The Great Dictator" expertly blends satire with dramatic overtones. Its closing scene in which Chaplin makes a speech pleading for all people to follow the path of peace, brotherhood and democracy, is not to be missed. Whether this movie is above or beyond the Marx Brothers' "Duck Soup" (Paramount, 1933) is anyone's matter of taste. (***)


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