After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.Written by
Dale O'Connor <firstname.lastname@example.org>
Vivien Leigh later said that she hated kissing Clark Gable because of his bad breath, rumored to be caused by his false teeth, a result of excessive smoking. According to Frank Buckingham, a technician who observed the film being made, Gable would sometimes eat garlic before his kissing scenes with Vivien Leigh. See more »
When Scarlett climbs down the stairs before Rhett, who carries Melanie, she holds a lamp to the wall side. Although the only light then supposedly came from the lamp, their shadows are projected on the wall. See more »
What do we care if we *were* expelled from college, Scarlett? The war is gonna start any day now, so we'd have left college anyhow.
War! Isn't it exciting, Scarlett? You know those fool Yankees actually *want* a war?
We'll show 'em!
Fiddle-dee-dee! War, war, war; this war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides... there isn't going to be any war.
Not going to be any war?
Why, honey, of course there's gonna be a war.
If either ...
[...] See more »
Opening credits prologue: There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow.. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and Slave... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind... See more »
Issued in Argentina by MGM in 1984 on VHS (in two cassettes) with the opening original prologue with a special one for Foreign versions explaining the circumstances leading to the American civil war. This film went into the public domain in Argentina between 1989 and 1995, and during those years several minor video editors published their own versions (usually lifting them from American editions) and with much more quality than what MGM did in 1984. Several of this companies issued the VHS on a single cassette (the N-PAL color system allowed this), although removing the intermission and the exit music. In 1986, for its second Argentinean TV exhibition two different versions were simultaneously televised. LS85 TV Canal 13 of Buenos Aires used standard dubbed in Spanish print that has also been used by Turner Entertainment and, now, Warner Bros. At the same, on another channel, LS86 TV Canal 2 used a different print, without permission from the copyright owners: the print used was an older dubbed version from Spain, probably lifted from an MGM video edition, featuring all of the titles and signs in the entire film in Spanish. The source from that print was a company called VEA (Video Editora Argentina) that had a partnership with the television station at the time. See more »
It is always in people's nature to put down great things and to nit-pick or sometimes just be plain mean. No matter what anyone says, this is utterly fantastic: in story, in special effects, in casting (with perhaps the sad exception of Leslie Howard as "Ashley") and in captivation. Vivien Leigh is so powerful, passionate, magnificent and beautiful that you could watch it 1000 times on that ground alone. She brings something so convincing and human to the role of the selfish, spoilt Scarlett; the character is larger than life.
Leaving Vivien's astounding performance aside, this remains a sweeping unrivalled epic. Watch it. Esther's rating: 20/10
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