8.2/10
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The Gold Rush (1925)

Trailer
1:25 | Trailer
A prospector goes to the Klondike in search of gold and finds it and more.

Director:

Charles Chaplin

Writer:

Charles Chaplin
Reviews
Top Rated Movies #138 | Nominated for 2 Oscars. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Charles Chaplin ... The Lone Prospector
Mack Swain ... Big Jim McKay
Tom Murray Tom Murray ... Black Larsen
Henry Bergman Henry Bergman ... Hank Curtis
Malcolm Waite Malcolm Waite ... Jack Cameron
Georgia Hale ... Georgia
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Storyline

A lone prospector ventures into Alaska looking for gold. He gets mixed up with some burly characters and falls in love with the beautiful Georgia. He tries to win her heart with his singular charm. Written by John J. Magee <magee@helix.mgh.harvard.edu>

Plot Summary | Plot Synopsis


Certificate:

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Parents Guide:

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Details

Country:

USA

Language:

English

Release Date:

1925 (Germany) See more »

Also Known As:

La quimera del oro See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$923,000 (estimated)

Gross USA:

$5,450,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

(original) | (1942 re-release) | (edited) | (1925 reconstructed)

Sound Mix:

Mono (RCA Sound System) (1942 re-issue)| Silent (original release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The scene where The Lone Prospector and Big Jim have a boot for supper took three days and 63 takes to suit director Charles Chaplin. The boot was made of licorice, and Chaplin was later rushed to a hospital suffering insulin shock. The boot was made by the firm of Hillaby's in Pontefract, West Yorkshire, England; Pontefract is famous for growing licorice and making it into "Pomfret [Pontefract] Cakes". See more »

Goofs

In the 1942 sound version, Tom Murray's character is spelled Black Larsen on the "Wanted" ad, but Black Larson in the end credits. See more »

Quotes

Georgia: You see, I'm very particular who I dance with.
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Alternate Versions

In the 1925 version Georgia writes an apologetic love letter to her boyfriend, and he gives it to Chaplin as a cruel prank. The 1942 re-cut version changed this so that Georgia writes the note for Chaplin, making their Last Minute Hookup less unexpected. See more »

Connections

Referenced in Tramp, Tramp, Tramp (1926) See more »

Frequently Asked Questions

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User Reviews

 
Chaplin's best--what a film!
28 April 2006 | by MartinHaferSee all my reviews

I've seen both version of this film--the original silent version from 1925 and the re-release by Chaplin in the 1940s. The difference is that the re-release was designed to appeal to a new audience that expected sound from their movies. To do this, title cards were removed--having Chaplin narrate the film. In addition, Chaplin-created music (for the most part--some were classical pieces), sound effects and singing were added to make the movie more palatable to the average viewer. I personally like BOTH versions and the one you watch is up to you if you get a copy of the Warner Brothers release on DVD--it has both plus excellent DVD extras. Otherwise, there have been a lot of public domain versions on video out there--many with terrible quality prints or music or both. The Warner version is the most pristine and beautiful silent print you can find. The version usually shown on Turner Classic movies is the 1942 re-release.

I use this film for my American history class when we do our unit on the history of film, though I might, in the future, use it for my Psychology classes as well (I teach both) because Chaplin's genius came from his obsessive-compulsive nature. The movie reportedly had 27 times more film exposed than you actually see in the film and the shoe eating segment was shot after more than 60 takes!!

The plot involves Charlie going to Alaska for the Gold Rush at the turn of the century. Along the way, he has a series of misadventures that have been thoroughly discussed in the other reviews here on IMDb. Suffice to say, the supporting acting was excellent and the story kept an excellent pace and had enough slapstick to make it fun to watch (something not true of all full-length slapstick comedies--sometimes, their pacing was negatively affected by the transition from shorts to full-length).

This is a gorgeous, well-executed piece of American art and a must for any real cinemaniac. The musical score (arranged by Chaplin), direction, acting and cinematography all are simply perfect--making this, in my opinion, the best full-length silent comedy ever made. This is saying a lot considering how much I love Harold Lloyd and Buster Keaton's films!


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